editorial
  • Encounters Vol — 1Marta MinujínAndrea Lissoni
    Encounters Vol — 1Marta MinujínAndrea Lissoni202680 pages12.5 × 17 cmDust jacket, silkscreen printEnglish / Spanish
    Texts by:Marta MinujínAndrea Lissoni
    2026

    The upcoming residency is in collaboration with the City of Munich and the Artist-in-Residence program at Ebenböckhaus.

    Munich Salta art offers one position to a visual artist from South America.

    August 14th to November 12th, 2023: in collaboration with Pivô Salta art offers a residency in São Paulo, Brazil for a contemporary visual artist, curator or cultural worker from Munich.

    In the interview, Noujaim speaks about her use of the Greek myth, Leda and the Swan, in which the god Zeus, in the form of a swan, seduces and copulates with the wife of Sparta, Leda.

    The story reflects the artist’s ongoing interest in hybrid manifestations of interspecies relations. Noujaim relates her interest in hybridism to her own practice, a hybrid of dance and sculpture, that she explains began with the natural want to “merge the movement of materials with the movement of the body”.

    Noujaim goes on to talk about her interest in Goethe’s concept of morphology, the importance of visual scores in her work, and the on-going influence of Eastern movement on her own choreography.

    Noujaim’s current interest in Indian classical dance, which she discovered through her interest in Indian spirituality, adds a further layer to this ongoing exchange.

  • Encounters Vol — 2Sandra Vásquez de la HorraJana Baumann
    Encounters Vol — 2Sandra Vásquez de la HorraJana Baumann202680 pages12.5 × 17 cmDust jacket, silkscreen printEnglish / Spanish
    Texts by:Sandra Vásquez de la HorraJana Baumann
    2026

    The upcoming residency is in collaboration with the City of Munich and the Artist-in-Residence program at Ebenböckhaus.

    Munich Salta art offers one position to a visual artist from South America.

    August 14th to November 12th, 2023: in collaboration with Pivô Salta art offers a residency in São Paulo, Brazil for a contemporary visual artist, curator or cultural worker from Munich.

    In the interview, Noujaim speaks about her use of the Greek myth, Leda and the Swan, in which the god Zeus, in the form of a swan, seduces and copulates with the wife of Sparta, Leda.

    The story reflects the artist’s ongoing interest in hybrid manifestations of interspecies relations. Noujaim relates her interest in hybridism to her own practice, a hybrid of dance and sculpture, that she explains began with the natural want to “merge the movement of materials with the movement of the body”.

    Noujaim goes on to talk about her interest in Goethe’s concept of morphology, the importance of visual scores in her work, and the on-going influence of Eastern movement on her own choreography.

    Noujaim’s current interest in Indian classical dance, which she discovered through her interest in Indian spirituality, adds a further layer to this ongoing exchange.

  • Encounters Vol — 3Tomás SaracenoSarah Johanna Theurer
    Encounters Vol — 3Tomás SaracenoSarah Johanna Theurer202680 pages12.5 × 17 cmDust jacket, silkscreen printEnglish / Spanish
    Texts by:Tomás SaracenoSarah Johanna Theurer
    2026

    The upcoming residency is in collaboration with the City of Munich and the Artist-in-Residence program at Ebenböckhaus.

    Munich Salta art offers one position to a visual artist from South America.

    August 14th to November 12th, 2023: in collaboration with Pivô Salta art offers a residency in São Paulo, Brazil for a contemporary visual artist, curator or cultural worker from Munich.

    In the interview, Noujaim speaks about her use of the Greek myth, Leda and the Swan, in which the god Zeus, in the form of a swan, seduces and copulates with the wife of Sparta, Leda.

    The story reflects the artist’s ongoing interest in hybrid manifestations of interspecies relations. Noujaim relates her interest in hybridism to her own practice, a hybrid of dance and sculpture, that she explains began with the natural want to “merge the movement of materials with the movement of the body”.

    Noujaim goes on to talk about her interest in Goethe’s concept of morphology, the importance of visual scores in her work, and the on-going influence of Eastern movement on her own choreography.

    Noujaim’s current interest in Indian classical dance, which she discovered through her interest in Indian spirituality, adds a further layer to this ongoing exchange.

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